conference logo
 
Programme  Titles  Presenters 
Presenter Index
A technical study of 'Rebecca and Eliezer at the Well' after Nicolas Poussin
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 
Techniques and materials of paintings on coffered ceilings in the North of Portugal
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Abdel-Ghani, Mona
Cairo University, Egypt
A study of Persian lacquered painting from the Faculty of Archaeology museum, Cairo University
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Albrecht, Marya
University of Amsterdam, The Netherlands
"Small is beautiful" Lead white in fine particle size.
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 
The thin end of the wedge: supporting evidence used to substantiate provenance. The technical analysis of two Spanish fifteenth century paintings.
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Betelu, Claire
palais des beaux arts, France
Restoration and study of 'Portraits of artists' by Louis Boilly (1761-1845): lighting of Boilly's creative process.
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Boersma, Annetje
Atelier Boersma, The Netherlands
The restoration of The Three Marys at the Tomb by Van Eyck in Museum Boijmans Van Beuningen: a starting point for new research
Day 1 - Wednesday 18 September 2013:  The restoration of The Three Marys at the Tomb by Van Eyck in Museum Boijmans Van Beuningen: a starting point for new research  -  10.35 - 11.00
 

Boitelle, Rene
Van Gogh Museum, The Netherlands
The Construction of Destruction. Technical Examination of an Unfinished Painting by Theodore Rousseau
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Bonaduce, Ilaria
Dipartimento di Chimica e Chimica Industriale, University of Pisa, Italy
A fresco or a secco technique in the Bardi and Peruzzi Chapels (Santa Croce, Florence, Italy) by Giotto da Bondone: study of the nature and distribution of organic materials
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Broecke, Lara
Hamilton Kerr Institute, UK
Cennino inside out: new light on verde azurro, giesso grosso and others based on close reading
Day 1 - Wednesday 18 September 2013:  Cennino inside out: new light on verde azurro, giesso grosso and others based on close reading  -  11.55 - 12.20
 

Bruzzone, Raffaella
LASA, DAFIST, University of Genoa, Italy
A Vernacular Herbal Manuscript (c. 1598): materials and techniques
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Burnstock, Aviva
Courtauld Institute of Art, UK
Picasso 1901: Working quickly and reuse of canvas
Day 3 - 20 September 2013:  Picasso 1901: Working quickly and reuse of canvas  -  14.50 - 15.15
 

Çakar, Pınar
Ministry of Culture and Tourism, Suleymaniye Manuscript Library, research and development Center, Turkey
Some examples of paper dyeing in Ottoman period and their effects on paper
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Calvo, Ana
Universidad Complutense de Madrid, Spain
From the Mediterranean to the Atlantic: Particularities into the joints of panel paintings in the Iberian Peninsula
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Cushman, Matthew
Worcester Art Museum, USA
Discerning a hidden inscription on a portrait by Anthony van Dyck using reflectance transformation imaging
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Davis, Lucy
The Wallace Collection, UK
Reynolds as Restorer: Prince Baltasar Carlos in Black and Silver
Day 3 - 20 September 2013:  Reynolds as Restorer: Prince Baltasar Carlos in Black and Silver  -  9.55 - 10.20
 

Devesa, Joana
Universidade Nova de Lisboa, Faculdade de Ciencias e Tecnologia, Departamento de Conservacao e Restauro, Portugal
Mapping the distribution of lead soap aggregates at the surface of a nineteenth century portrait in oil.
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Dietz, Stephanie
State Academy of Fine Arts, Germany
Colourless pulverised glass in the paint-material of Hans Holbein the Elder (1460/70-1524)
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Ferraz, Ângela
Departamento de Conservação e Restauro, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa, Portugal
'How to became a painter in three hours': artists’ training in nineteenth century Portugal 
Day 3 - 20 September 2013:  “How to became a painter in three hours”: artists’ training in nineteenth century Portugal  -  14.00 - 14.25
 

Ford, Thierry
Nasjonal Museet, Norway
Edouard Manet's ‘View of the 1867 Exposition Universelle'. Compositional process and a question of finish.
Day 3 - 20 September 2013:  Edouard Manet's ‘View of the 1867 Exposition Universelle'. Compositional process, a question of finish, a different hand?  -  11.40 - 12.05
 

Freire, Rita
CHAIA- Centro de História de Arte e Investigação Artística, Portugal
'The Last Supper' of Francisco de Campos - painting techniques and materials
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Glanville, Helen
Hamilton Kerr Institute, UK
Mens agitat Molem - Poussin's use of painting materials in the context of Zaccolini's Perspettiva del Colore and Félibien's Conférences of 1667.
Day 2 - Thursday 19 September 2013:  Mens agitat Molem - Poussin's use of painting materials in the context of Zaccolini's Perspettiva del Colore and Félibien's Conférences of 1667.  -  14.25 - 14.50
 

Gombaud, Cécile
Rijksmuseum, The Netherlands
Jean-Etienne Liotard's studio practice and pastel technique: Technological examination and analysis, confrontation with 18th century sources
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Gordon, Eric
Walters Art Museum, USA
The Enigmatic 'View of an Ideal City': A Renaissance Panel Reveals its Secrets 
Day 1 - Wednesday 18 September 2013:  The Enigmatic View of an Ideal City: A Renaissance Panel Reveals its Secrets  -  12.20 - 12.45
 

Hermens, Erma
University of Glasgow, UK
A Master and his Pupil: the painting techniques of Daniël Seghers and Andries Bosman
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 
‘The truth is for many years I was extremely fond of a very treacherous colour called Carmine...'. Sir Joshua Reynolds and his painting technique: fading, cracking and longevity
Day 3 - 20 September 2013:  'The truth is for many years I was extremely fond of a very treacherous colour called Carmine...'. Sir Joshua Reynolds and his painting technique: fading, cracking and longevity  -  10.20 - 10.45
 

Hoogstede, Luuk
SRAL (Stichting Restauratie Atelier Limburg), The Netherlands
Jheronimus Bosch in Venice. A BRCP (Bosch Research and Conservation Project) case study
Day 1 - Wednesday 18 September 2013:  Jheronimus Bosch in Venice A BRCP (Bosch Research and Conservation Project) case study  -  14.50 - 15.15
 

Hopfner, Ingrid
Kunsthistorisches Museum Wien, Austria
'The Resurrection of Christ'/ Garofalo`s Altarpiece: An unaltered wooden panel under restoration and research
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Hradil, David
Academy of Fine Arts in Prague, Laboratory ALMA, Czech Republic
Materials and technological characteristics of paintings by Johann Georg de Hamilton (1672-1737) - a famous portraitist of horses
Day 2 - Thursday 19 September 2013:  Materials and technological characteristics of paintings by Johann Georg de Hamilton (1672-1737) - a famous portraitist of horses  -  16.15 - 16.40
 

Hradilova, Janka
Academy of Fine Arts in Prague, Laboratory ALMA, Czech Republic
A deeper insight into the technique of painted anaplast - one popular way of making copies in the 19th century
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Iazurlo, Paola
Istituto Superiore per la Conservazione e il Restauro, Italy
'Der Matrose Fritz Müller aus Pieschen': a Dada painting by Otto Dix
Day 3 - 20 September 2013:  The Matrose Fritz Müller aus Pieschen: a Dada painting by Otto Dix  -  16.40 - 17.05
 

Jager, Angela
Universiteit van Amsterdam, The Netherlands
Standard sizes and panel supports in the low segment of the Dutch Art market in the Golden Age
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Janssens, Koen
University of Antwerp, Belgium
MAXRF investigation of Ritratto di Michelangelo reveals a painting by Andrea del Sarto, strengthening its attribution to Sebastiano del Piombo
Day 2 - Thursday 19 September 2013:  MAXRF investigation of Ritratto di Michelangelo reveals a painting by Andrea del Sarto, strengthening its attribution to Sebastiano del Piombo  -  9.30 - 9.55
 

Jones, Rica
Tate Gallery, UK
Drying crackle in early and mid-eighteenth-century British paintings: an explanation of the phenomenon of microcissing.
Day 3 - 20 September 2013:  Drying crackle in early and mid-eighteenth-century British paintings: an explanation of the phenomenon of microcissing.  -  9.30 - 9.55
 
Gainsborough's pigments from 'Charterhouse' to 'Blue Boy'
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Kamal, Aalia
Hamilton Kerr Institute, University of Cambridge, UK
The material aspects of paintings in the early 20th Century: a study of the materials and techniques of Vanessa Bell
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Karimy, Amir Hossein
Art University of Isfahan, Conservation Faculty, Iran
Binding Mediums used in Persian painting based on the old technical treatises
Day 1 - Wednesday 18 September 2013:  Binding Mediums used in Persian painting based on the old technical treatises  -  16.15 - 16.40
 

Kausland, Kristin
University of Oslo, Norway
The material histories of late medieval altarpieces in Norway
Day 1 - Wednesday 18 September 2013:  The Material Histories of Late Medieval Altarpieces in Norway  -  16.40 - 17.05
 

Keutgens, Karin
Ghent University, Belgium
The availability and relevance of material-technical references in archival sources for the study of painting techniques of mediaeval and early modern wall paintings in Low Countries.
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Kilpinen, Tuulikki
Konservointi Tuulikki Kilpinen OY, Finland
Anamnesis of a painting: The benefits of collaboration in Edelfelt's Studio Practice Project on quests of attribution.
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Kinseher, Kathrin
Akademie der Bildenden Künste München, Technische Universität München, Germany
Paints, brands and competition. A look at the history of colour making in the late nineteenth century
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Kokkori, Maria
The Art Institute of Chicago, USA
From the streets to the canvas: On the use of bituminous asphalt in early Soviet constructivist paintings
Day 3 - 20 September 2013:  From the streets to the canvas: On the use of bituminous asphalt in early Soviet constructivist paintings  -  17.05 - 17.30
 
Painting techniques of Kazimir Malevich: 1900-1910
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Kriznar, Anabelle
Department of Art History, Faculty of Arts, University of Ljubljana, Slovenia
Painting techniques and materials of the 14th century murals that represent the so called 'hibrid' gothic style in Slovenia
Day 1 - Wednesday 18 September 2013:  Painting techniques and materials of the 14th century murals that represent the so called 'hibrid' gothic style in Slovenia  -  9.45 - 10.10
 

Langley, Allison
Art Institute of Chicago, USA
Looking below the surface of Picasso’s 'The Old Guitarist'
Day 3 - 20 September 2013:  Looking below the surface of Picasso’s The Old Guitarist  -  15.50 - 16.15
 

Liu, Mirjam
University of Oslo, Norway
The surface of 'The Sun' Materials and techniques in Edvard Munch's monumental Aula-painting
Day 3 - 20 September 2013:  The surface of The Sun Materials and techniques in Edvard Munch's monumental Aula-painting  -  16.15 - 16.40
 

Lydon, Muirne
National Gallery of Ireland, Ireland
Conservation and Technique of The Marriage of Stroingbow and Aoife by Daniel Maclise.
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Malkova, Kristina
Academy of Fine Arts in Prague, Czech Republic
Examination of paintings by Lucas Cranach the Elder and his workshop from the collection of the National Gallery in Prague
Day 2 - Thursday 19 September 2013:  Examination of Paintings by Lucas Cranach the Elder and his workshop from the Collection of the National Gallery in Prague  -  9.55 - 10.20
 

Maltieira, Rita
Portuguese Catholic University, Portugal
Canvas in Portuguese easel painting since the end of 16th century to 19th century
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Meuwissen, Daantje
Rijksmuseum, The Netherlands
New insights into the work of Jacob Cornelisz van Oostsanen (1470-1533)
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Miller, Rose
Hamilton Kerr Institute, UK
John Sell Cotman (1782-1842) and John Crome (1768-1821): material sensibilities
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Muir, Kimberley
The Art Institute of Chicago, USA
Thread count, weave, and ground analysis of Claude Monet's Vieille-Troisgros canvases in the Art Institute of Chicago
Day 3 - 20 September 2013:  Thread count, weave, and ground analysis of Claude Monet's Vieille-Troisgros canvases in the Art Institute of Chicago  -  12.05 - 12.30
 

Nieberle, Jenny Annika
Cologne Institute of Conservation Sciences (Cologne University of Applied Sciences), Germany
Studies of the painting techniques of Heinrich Campendonk - Possibilities and limitations in the examination of paintings with non-invasive scientific methods within the context of forgeries
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Noble, Petria
Royal Picture Gallery Mauritshuis, The Netherlands
A new light on late Rembrandt: the application of new diagnostic techniques
Day 2 - Thursday 19 September 2013:  A new light on late Rembrandt: the application of new diagnostic techniques  -  14.00 - 14.25
 

Parot-Pettinotti, Marguerite
Université PARIS 1 Panthéon Sorbonne - ED 441 HICSA, France
Matérialité des peintures de chevalet sur albâtre: perception et redéfinition d'un support. Materiality of paintings on alabaster: perception and redefinition of a support.
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Petersen Castiello, Alejandra
Yale Center for British Art, USA
Lucien Pissarro and the diffusion of a matte aesthetic into London, 1880-ca. 1920
Day 3 - 20 September 2013:  Lucien Pissarro and the diffusion of a matte aesthetic into London, 1880-ca. 1920  -  14.25 - 14.50
 

Pohlmann, Albrecht
Stiftung Moritzburg Halle (Saale) - Kunstmuseum des Landes Sachsen-Anhalt, Germany
More than photographic truth. Adolf Senff's (1785-1863) oil studies of flowers: painting technique, conservation treatment, and presentation
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Postec, Marie
IRPA (Royal Institute for Cultural Heritage ), Belgium
New observations on the genesis of Van Eyck's 'Saint Barbara' in light of results from the current research carried out on the Ghent Altarpiece
Day 1 - Wednesday 18 September 2013:  New observations on the genesis of Van Eyck's Saint Barbara in light of results from the current research carried out on the Ghent Altarpiece  -  11.30 - 11.55
 

Pottasch, Carol
Royal Picture Gallery The Mauritshuis, The Netherlands
Rococo in The Mauritshuis: Pellegrini's work in The Netherlands
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Rae, Caroline
Courtauld Institute of Art, UK
Defining the origins and characteristics of Anglo-Netherlandish and native workshop practices in late Elizabethan/ early Jacobean England: comparative technical study of Marcus Gheeraerts the Younger (1561/2 – 1636), John de Critz the Elder (d.1642), Robert Peake the Elder (c.1551–1619 and William Larkin (c.1580–1619)
Day 2 - Thursday 19 September 2013:  Defining the origins and characteristics of Anglo-Netherlandish and native workshop practices in late Elizabethan/ early Jacobean England: comparative technical study of Marcus Gheeraerts the Younger (1561/2 – 1636), John de Critz the Elder (d.1642), Robert Peake the Elder (c.1551–1619 and William Larkin (c.1580–1619)  -  10.20 - 10.45
 

Rens, Annemiek
RKD (Netherlands Institute for Art History), The Netherlands
Farmer with oxcart in setting sun: visualization and interpretation of a ‘lost' work by Vincent van Gogh
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Rizzo, Adriana
The Metropolitan Museum of Art, USA
Insights into the materials of cold-painted Venetian / façon de Venise glass objects in The Metropolitan Museum of Art
Day 1 - Wednesday 18 September 2013:  Insights into the materials of cold-painted Venetian / façon de Venise glass objects in The Metropolitan Museum of Art  -  15.50 - 16.15
 

Rousaki, Anastasia
FTIR and Thermal Analysis Laboratory, Solid State Physics Section, Physics Department, Aristotle University of Thessaloniki, GR-54214, Greece
Study of a Double Painted meta-Byzantine Icon of St. Panteleimon
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Sheldon, Libby
University College London, UK
A study of Cuyp's materials and techniques and their correlation with the artist's stylistic evolution  
Day 2 - Thursday 19 September 2013:  A study of Cuyp's materials and techniques and their correlation with the artist's stylistic evolution  -  11.40 - 12.05
 

Simonsen, Anne
Anne Simonson, Norway
The chineese room at Frederiksberg Castle
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Speleers, Lidwien
SIK-ISEA, Switzerland
‘ Le noir ne seiche jamais sans addition….’ , methods to ensure the drying of black paints in the 17th century Oranjezaal ensemble
Day 2 - Thursday 19 September 2013:  ‘Le noir ne seiche jamais sans addition…’ , methods to ensure the drying of black paints in the 17th century Oranjezaal ensemble  -  12.05 - 12.30
 

Stols-Witlox, Maartje
University of Amsterdam, The Netherlands
Flour and starch in preparatory layers for oil paintings: evidence in written sources (16th-19th century) and reconstructions of historical recipes.
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Treilhou, Stephane
Paris I-La Sorbonne, France
Identification of organic additives in Roman wall painting, initial results.
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Twilley, John
The Leiden Collection, USA
The Palette and Painting Practices of Gerrit Dou
Day 2 - Thursday 19 September 2013:  The Palette and Painting Practices of Gerrit Dou  -  11.15 - 11.40
 

Valadas, Sara
HERCULES Laboratory, Évora University, Portugal
Analytical and technical study of 16th Century Flemish-Portuguese paintings attributed to Frei Carlos workshop
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

van den Burg, Julia
University of Amsterdam, The Netherlands
The hand of a master: art-technical research into the painting technique of Jacob Adriensz Backer (1608/9-1651)
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

Van der Snickt, Geert
University of Antwerp, Belgium
In situ Macro-XRF scanning as a tool to discriminate Caravaggio’s autograph paintings from copies: the case of John the Baptist at the Galleria Doria Pamphilj
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 
New insights in the creation process of Hans Memling’s ‘Moreel triptych’ by means of in situ Macro-XRF scanning
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

van Duijn, Esther
University of Amsterdam, The Netherlands
All that glitters is not gold. Painted gold-brocaded velvets in fifteenth- and early sixteenth-century Netherlandish paintings
Day 1 - Wednesday 18 September 2013:  All that glitters is not gold. Painted gold-brocaded velvets in fifteenth- and early sixteenth-century Netherlandish paintings  -  14.25 - 14.50
 

van Egmond, Anne-Maria
University of Amsterdam, The Netherlands
Two painters, two centuries, one mural: technical research on the layered crucifixion mural in the Utrecht burial chapel of Guy of Avesnes
Day 1 - Wednesday 18 September 2013:  Two painters, two centuries, one mural: technical research on the layered crucifixion mural in the Utrecht burial chapel of Guy of Avesnes  -  10.10 - 10.35
 

van Eikema Hommes, Margriet
Delft University of Technique, The Netherlands
The Triumphal Procession of Andries Warmoes in the Hofkeshuis. A little known manner of painting brought to light
Day 3 - 20 September 2013:  The Triumphal Procession of Andries Warmoes in the Hofkeshuis. A little known manner of painting brought to light  -  11.15 - 11.40
 

Van Hout, Nico
Koninklijk Museum voor Schone Kunsten Antwerpen, Belgium
Over the rainbow. Rubens upgrading a workshop copy.
Day 1 - Wednesday 18 September 2013:  Poster pitch session A (please click on the title for the program)  -  17.35 - 18.50
 

van Rietschoten, Elsemieke
Universiteit van Amsterdam, The Netherlands
Painting by the rules of art; the Groot Schilderboeck compared to the painting technique of Jan Lievens and Gerard de Lairesse
Day 2 - Thursday 19 September 2013:  Painting by the rules of art; the Groot Schilderboeck compared to the painting technique of Jan Lievens and Gerard de Lairesse  -  14.50 - 15.15
 

van Run, Tatjana
Delft University of Technology, The Netherlands
Discoveries during the technical investigation of a tripartite ceiling painting by Gerard de Lairesse. A political statement before and during the ‘Disaster Year’ 1672
Day 2 - Thursday 19 September 2013:  Discoveries during the technical investigation of a tripartite ceiling painting by Gerard de Lairesse. A political statement before and during the ‘Disaster Year’ 1672  -  15.50 - 16.15
 

Vetter, Wilfried
Academy of Fine Arts Vienna, Austria
Portrait art meets botanical illustration – technical aspects of the unique flower watercolor paintings by Moritz M. Daffinger (1790-1849)
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Wadum, Jørgen
CATS, Denmark
North Netherlandish 17th century panel makers' individual house marks
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Wallert, Arie
Rijksmuseum, The Netherlands
Remarkable white pigments on Liotards pastel paintings
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Weidema, Sytske
Netherlands Institute for Art History, The Netherlands
Measuring standardization of panel sizes of fifteenth century Netherlandish paintings
Day 2 - Thursday 19 September 2013:  Poster pitch session B (please click on the title for the program)  -  17.35 - 18.50
 

Woodcock, Sally
Hamilton Kerr Institute, University of Cambridge, UK
Excise stamps on artists' canvases:  lost threads and loose ends
Day 2 - Thursday 19 September 2013:  Excise stamps on artists' canvases: lost threads and loose ends  -  16.40 - 17.05
 

Wrapson, Lucy
Hamilton Kerr Institute, University of Cambridge, UK
Prints and pastiglia: the surviving paintings of a late-medieval East Anglian workshop
Day 1 - Wednesday 18 September 2013:  Prints and pastiglia: the surviving paintings of a late-medieval East Anglian workshop  -  14.00 - 14.25