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Title Index
A preliminary investigation into the use of gellan gum for the conservation treatment of one- and two-layered photographs
Marie-Lou Beauchamp*, Gregory Hill
Canadian Conservation Institute, Canada
Saturday 24 September 2016:  A preliminary investigation into the use of gellan gum for the conservation treatment of one- and two-layered photographs  -  16:15 - 16:25
7 minutes
A re-evaluation of photograms by Moholy-Nagy
Krista Lough*1, Sylvie Pénichon1, Paul Messier2
1The Art Institute of Chicago, USA, 2Yale University, USA
Friday 23 September 2016:  A re-evaluation of photograms by Moholy-Nagy  -  13:45 - 14:05
20 minutes
An investigation into ungilded daguerreotypes by Robert Cornelius
Rachel Wetzel*1, Adrienne Lundgren1
1Conservation Center for Art and Historic Artifacts, USA, 2Library of Congress, USA
Saturday 24 September 2016:  An investigation into ungilded daguerreotypes by Robert Cornelius  -  16:05 - 16:15
7 minutes
Art and industry: The photogravure publications of Édouard Baldus
Kate Addleman-Frankel
University of Toronto, Canada
Friday 23 September 2016:  Art and industry: The photogravure publications of Édouard Baldus  -  14:35 - 14:55
20 minutes
Assessing the risks of vinyl-based erasers in the conservation of digital prints
Sara Ruiz*1,2, Salvador Muñoz-Viñas2, Ester Anton2
1University of Castilla-La Mancha, Spain, 2Instituto Universitario de Restauración del Patrimonio of the Universitat Politècnica de València, Spain
Saturday 24 September 2016:  Assessing the risks of vinyl-based erasers in the conservation of digital prints  -  16:25 - 16:35
7 minutes
Back to the future in photography
Christina Leber
DZ BANK Art Collection, Germany
Friday 23 September 2016:  Back to the future in photography  -  12:00 - 12:15
15 minutes
Cleaning treatments and the conservation of silver gelatin prints
Alexander Vatov
The National Museum of History, Bulgaria
Posters:  Cleaning treatments and the conservation of silver gelatin prints
Conference summary
Susie Clark
ACR, Photographic Conservator and Consultant, UK
Saturday 24 September 2016:  Conference summary  -  16:50 - 17:10
20 minutes
Conservation treatment and conservation framing of 11 photographic sculptures by Gilbert and George
Florence Feuardent2, Léa Wegwitz1, Marion Menardy2, Antonin Riou*3, Pierre-Emmanuel Nyeborg4
1Art Collection Care, Monaco, 2La Réserve, France, 3Antonin Riou, France, 4Pierre Emmanuel Nyeborg, France
Saturday 24 September 2016:  Conservation treatment and conservation framing of 11 photographic sculptures by Gilbert and George  -  11:50 - 12:10
20 minutes
Conservation treatment of a collection of mouldy colour slides
Katrin Pietsch
Nederlands Fotomuseum, The Netherlands
Posters:  Conservation treatment of a collection of mouldy colour slides
Conserving Cindy Sherman's "A Play of Selves"
Tatiana Cole*, Luca Ackerman, Hanako Murata, Peter Mustardo
The Better Image, USA
Friday 23 September 2016:  Conserving Cindy Sherman's "A Play of Selves"  -  12:15 - 12:30
15 minutes
Considering photographs in the Helmut Gernsheim Duplicate Collection held by Moderna Museet, Stockholm
Teresa Mesquit
Moderna Museet, Sweden
Friday 23 September 2016:  Considering photographs in the Helmut Gernsheim Duplicate Collection held by Moderna Museet, Stockholm  -  15:15 - 15:25
10 minutes
Daguerreotypes: Sharing unique objects on www.daguerreobase.org
Sandra Maria Petrillo
SMP Photoconservation Studio, Italy
Saturday 24 September 2016:  Daguerreotypes: Sharing unique objects on www.daguerreobase.org  -  15:55 - 16:05
7 minutes
Deception and perception: Reflections on faded chromogenic photographs in art collections
Clara von Waldthausen
University of Amsterdam, The Netherlands
Friday 23 September 2016:  Deception and perception: Reflections on faded chromogenic photographs in art collections  -  11:30 - 11:45
15 minutes
Deformed, torn, degraded: Conservation, housing and storage of heavily damaged photographs in the collections of the City Archives of Cologne
Marie-Louise Frank
City Archives of Cologne, Germany
Saturday 24 September 2016:  Deformed, torn, degraded: Conservation, housing and storage of heavily damaged photographs in the collections of the City Archives of Cologne  -  14:05 - 14:25
20 minutes
Developing an App in order to ease lighting policy implementation for sensitive collection items
Christel Pesme
He-SO ARC CR, Switzerland
Posters:  Developing an App in order to ease lighting policy implementation for sensitive collection items
Disaster prepardness in a multiple-risk zone
Rachel Tabet*, Charbel Saad
Arab Image Foundation, Lebanon
Saturday 24 September 2016:  Disaster prepardness in a multiple-risk zone  -  14:30 - 14:50
20 minutes
Early use of lithography to publish photographic images in Norway
Wlodek Witek
The National Library of Norway, Norway
Friday 23 September 2016:  Early use of lithography to publish photographic images in Norway  -  15:00 - 15:10
10 minutes
Edward Weston's platinum and palladium photographs
Margaret Wessling
Museum of Fine Arts, USA
Saturday 24 September 2016:  Edward Weston's platinum and palladium photographs  -  10:30 - 10:50
20 minutes
Evaluation of adhesive systems to hinge-mount resin coated papers for photographs and digital prints
Roberta Piantavigna*, Chris McGlinchey, Lee Ann Daffner
The Museum of Modern Art, USA
Posters:  Evaluation of adhesive systems to hinge-mount resin coated papers for photographs and digital prints
Functional photography
Rudolf Gschwind*, Erwin Zbinden
University of Basel, Switzerland
Friday 23 September 2016:  Functional photography  -  14:10 - 14:30
20 minutes
Importance of personal touch: A history of photographic retouching
Anna Seweryn
National Archives in Krakow, Poland
Posters:  Importance of personal touch: A history of photographic retouching
Institutional acquisition policies from the perspective of the conservator: Two case studies at Mexico´s National University
Gustavo Lozano*1, Claudio Hernandez2
1Instituto de Investigaciones Esteticas, Mexico, 2Museo Universitario de Arte Contemporaneo, Mexico
Saturday 24 September 2016:  Institutional acquisition policies from the perspective of the conservator: Two case studies at Mexico´s National University  -  15:45 - 15:55
7 minutes
Large format instant photography
Katrin Pietsch
Nederlands Fotomuseum, The Netherlands
Friday 23 September 2016:  Large format instant photography  -  10:35 - 10:55
20 minutes
Lingua Franca: A common language for conservators of photographic materials
Anne Cartier-Bresson2, Tania Passafiume*1, Tom Thompson1
1Library and Archives Canada, Canada, 2Atelier de Restauration et de Conservation des Photographies de la Ville de Paris, France
Posters:  Lingua Franca: A common language for conservators of photographic materials
Money can't buy me love... BUT it will help with photograph preservation
Debra Hess Norris*1, Maria E. Gonzalez2
1University of Delaware, USA, 2UCLA Library, USA
Saturday 24 September 2016:  Money can't buy me love... BUT it will help with photograph preservation  -  14:55 - 15:15
12 minutes
New insights into the consolidation of deteriorated binder layers in silver gelatin prints: An analytical study
Maha Ali1, Mona Ali*1, Sawsan Darwish1, Mohamed Saker2, Enrico Ciliberto3
1Conservation Department, Faculty of Archaeology, Cairo University, Egypt, 2Cinematography and Television Department, Faculty of Applied Arts, Helwan University, Egypt, 3Department of Chemical Sciences, University of Catania, Italy
Posters:  New insights into the consolidation of deteriorated binder layers in silver gelatin prints: An analytical study
On the materiality and degradation of pannotypes
Vai van den Heiligenberg
Bern University of the Arts, Switzerland
Posters:  On the materiality and degradation of pannotypes
Partington's prints, Partington's plates
Mark Strange
National Library of NZ, New Zealand
Saturday 24 September 2016:  Partington's prints, Partington's plates  -  13:40 - 14:00
20 minutes
Photographic collections in Lima, Peru: Analysis and perspectives - a challenge for conservation
Cecilia Salgado*1, Ximena Bruna2
1Centro de la Imagen, Peru, 2MALI, Peru
Posters:  Photographic collections in Lima, Peru: Analysis and perspectives - a challenge for conservation
Preparation of glass plate negatives and ferrotypes for digitization: Challenges and benefits
Jaan Lehtaru
The National Archives of Estonia, Estonia
Posters:  Preparation of glass plate negatives and ferrotypes for digitization: Challenges and benefits
Reproducing photographs, thinking photography
Steffen Siegel
Folkwang Universität der Künste, Germany
Friday 23 September 2016:  Keynote: Reproducing Photographs, Thinking Photography  -  9:45 - 10:05
20 minutes
Research on lining removal and surface cleaning of albumen prints using gellan gum
Barbara Costantini1,3, Barbara Cattaneo*2, Donatella Matè1
1ICRCPAL, Italy, 2BNCF, Italy, 3Indipendent conservator, Italy
Posters:  Research on lining removal and surface cleaning of albumen prints using gellan gum
Revealing the lost Ruskin daguerreotypes
Angels Arribas
Lumen Photographic Conservation, UK
Friday 23 September 2016:  Revealing the lost Ruskin daguerreotypes  -  16:50 - 17:10
20 minutes
Safe-light imaging: Documenting the J. Paul Getty Museum’s collection of ultra light-sensitive photographs
Stacey Rain Strickler*, Sarah Freeman
J. Paul Getty Museum, USA
Posters:  Safe-light imaging: Documenting the J. Paul Getty Museum’s collection of ultra light-sensitive photographs
Scientific examination of a 19th century hand-coloured herbarium from the collection of the National Technical Museum in Prague
Ivana Kopecká*1, Eva Svobodová1, Tomáš Čechák2, Tomáš Trojek2
1National Technical Museum, Czech Republic, 2Czech Technical University, Faculty of Nuclear Sciences and Physical Engineering, Czech Republic
Posters:  Scientific examination of a 19th century hand-coloured herbarium from the collection of the National Technical Museum in Prague
The characterization of French paper negatives through the Calotype Initiative Project
Céline Daher*1, Marie-Angélique Languille1, Anne de Mondenard2, Martin Becka3, Chantal Garnier1, Patrick Lamotte4, Sylvie Aubenas4, Karen Hellman5, Sarah Freeman5, Art Kaplan6, Mickael Schilling6, Bertrand Lavédrine1
1Centre de recherche sur la conservation (CRC, USR 3224), Sorbonne Universités, Muséum national d'Histoire naturelle, Ministère de la Culture et de la Communication, CNRS, France, 2C2RMF, Centre de Recherche et de Restauration des Musées de France, Département de Conservation Préventive, France, 3Artist photographer, France, 4Bibliothèque Nationale de France, Département des Estampes et de la Photographie, France, 5J. Paul Getty Museum, Department of Photographs, USA, 6The Getty Conservation Institute (GCI), USA
Saturday 24 September 2016:  The characterization of French paper negatives through the Calotype Initiative Project  -  10:05 - 10:25
20 minutes
The conservation of an 'American ivorytype' photograph: A journey of discovery
Dorothy Kenn
British Library, UK
Posters:  The conservation of an 'American ivorytype' photograph: A journey of discovery
The digital print preservation projects at IPI: Nine years of research and education
Daniel Burge
Image Permanence Institute, USA
Saturday 24 September 2016:  The digital print preservation projects at IPI: Nine years of research and education  -  12:15 - 12:35
20 minutes
The future isn’t what it used to be: Changing views on contemporary color photography
Nora Kennedy*, Meredith Reiss, Katherine Sanderson
The Metropolitan Museum of Art, USA
Friday 23 September 2016:  The future isn’t what it used to be: Changing views on contemporary color photography  -  11:45 - 12:00
15 minutes
'The Great Expectations': Conservation of the Martecchini Family collection from the State Archives in Dubrovnik
Martina Bagatin
Croatian State Archives, Croatia
Saturday 24 September 2016:  'The Great Expectations': Conservation of the Martecchini Family collection from the State Archives in Dubrovnik  -  16:35 - 16:45
7 minutes
The Impossible Project and the magic of analog instant photography
Stephen Herchen
The Impossible Project, The Netherlands
Friday 23 September 2016:  The Impossible Project and the magic of analog instant photography  -  10:10 - 10:30
20 minutes
The nature of image particles: An X-ray diffraction and electron microscopy study of daguerreotype image particles
Patrick Ravines*1, Peter Bush2, Rob McElroy3
1State University of New York College at Buffalo - Art Conservation Department, USA, 2State University of New York at Buffalo - South Campus Instrumentation Center, USA, 3Archive Studio, USA
Friday 23 September 2016:  The nature of image particles: An X-ray diffraction and electron microscopy study of daguerreotype image particles  -  16:25 - 16:45
20 minutes
The photographic archive of the "Vasile Parvan" Institute of Archaeology, Bucharest, Romania: Restoration, preservation, digitization
Catalin I. Nicolae
"Vasile Parvan" Institute of Archaeology, Romania
Posters:  The photographic archive of the "Vasile Parvan" Institute of Archaeology, Bucharest, Romania: Restoration, preservation, digitization
The value of hanji for photograph conservation
Barbara Cattaneo1, Federica Delia*2
1National Central Library of Florence, Italy, 2Federica Delia Paper and Photograph Conservation Studio, Italy
Posters:  The value of hanji for photograph conservation
Three in one: Caring for the last Daguerre's triptych
Bertrand Lavedrine*1,2, Laurent Martin3, Paul Messier4,5, Lyudmila Polyakova6, Tatiana Sayatina7, Stuart Welch3
1Centre de recherche sur la conservation (CRC, USR 3224), Muséum national d'Histoire naturelle, Ministère de la Culture et de la Communication, CNRS, France, 2Sorbonne Universités, France, 3Conservation by Design, France, 4Lens Media Lab, USA, 5Institute For Preservation of the Cultural Heritage, Yale University, USA, 6Library of the Russian Academy of Arts, Russia, 7State Hermitage Museum, Russia
Saturday 24 September 2016:  Three in one: Caring for the last Daguerre's triptych  -  11:25 - 11:45
20 minutes
Through a glass darkly: Thomas Wedgwood’s experiments reconsidered
Michael Gray
Wellcome Library, UK
Friday 23 September 2016:  Through a glass darkly: Thomas Wedgwood’s experiments reconsidered  -  16:00 - 16:20
20 minutes